Negru Voda Monastery, was founded in 1215, the tradition of the Black Prince Radu. Later, it was rebuilt by Basarab I and his son, Nicholas Alexander. It will be rebuilt by Matei Basarab, it becomes and monastery.
Negru Voda Monastery is the most important monastic in Muscel. In part they enter the Chapel Royal of the royal court, then great church of the monastery,
Small church - infirmary - in the first quarter of the eighteenth century bell tower from entering the premises - the eighteenth century royal house - the seventeenth century built on the old foundations of the XIV century, houses egumenesti - the eighteenth century, Annex royal house and the cells of the early nineteenth century. Here also was the monastery inn-Bazar, disappeared in 1746.
Namaiesti Monastery-Located 5 km northeast of Campulung, stone church, entirely unknown hands carved in stone, dating from the first half of the century. XVI (1547). On the walls of the church you can see murals made clumsy with figures of saints deleted in southern porch, the interior is unpainted, with icons hanging on the walls. Among the many icons are miraculous icon of the Virgin, attributed by tradition Evangelist Luke, framed in silver in 1798, lithographed in 1871 by Major Pope Zogeu. Along with this there is an old cross of 1601, built next to the tower by Radu Postelnicu. Inside are properties charters of the years 1542 and 1572, old books, G.Toparceanu memorial house, carpets and macrameuri workshops, the mausoleum of Mateias, dedicated to the heroes of the First World War.
Exhibition on the History of Culture Namaesti-exhibition is installed in a house with floor musceleana typical with upstairs porch dating from the late nineteenth century. The family belonged to the poet George Toparceanu in 1905.
The downstairs room is arranged a documentary exhibition including photographs, manuscripts, books with dedication received from George Toparceanu (1886 - 1937), newspapers and magazines, photocopies of documents.
Upstairs are two rooms: bedroom (specific inner peasant) and camera work with objects that belonged to the writer.
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